While browsing through the vaults here at the studio, I came across this picture (above) I shot in Rogers Park in the mid 1980s. I hadn’t printed this shot before (I had just made a contact sheet), and just now am noticing that this was a prequel to a photograph I took a few years later, Greetings From Uptown (below; some of you might be familiar with this picture but I don’t think I’ve posted it here on the blog). What can I say–I have a way with kids.
Insightful and wisecracking Tuk, another lovely Taoseño I shot last week for Black and Gold, a film in progress by Diane Izzo and Marco Zas. Pt. 1 is here.
Photo courtesy and © The Impossible Project
New Instant films from the Impossible Project were introduced today, and will be available for purchase Thursday, March 25th. From their press release:
Concept:Impossible‘s new PX Instant Films are dedicated to all the people who feel a similar passion for the magic of analog Instant Photography as we do. Carefully manufactured to slowly develop in the palm of the hand, PX Silver Shade Films are monochrome Instant Films that are designed for usage with traditional Polaroid cameras.
This brandnew Instant Film material subtly combines all the important characteristics of the traditional analog Instant Film (appearance, format, temperature sensitivity, manipulability) with the unique, new appearance of silver based, monochrome shades.
Supported by Ilford Photo, UK (Harman Technology Limited), The Impossible Project is excited to present this new artistic material, which produces originals of outstanding, unique and never before seen characteristics, pushing analog Instant Photography beyond all traditional limits.
Availability: PX 100 and PX 600 Silver Shade Films will be available online at www.the-impossible-project.com in a limited, First Flush Edition from Thursday, March 25th onwards, and shortly thereafter at selected premium retail partners all over the world.
In summer 2010, Impossible plans to present its first PX Color Film. In total, Impossible aims to present 6 new Instant film formats throughout of 2010: in addition to the PX 100 and PX 600 Silver Shade, two PX Color Films (100 and 600 ASA) as well as a Silver Shade and a Color Version of the larger Integral Instant film format for usage in all Polaroid Image/Spectra/1200 cameras are planned.
Joe Winston and Laura Cohen. Photograph: Jim Newberry
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Picturedujour.com exclusive! Filmmakers Joe Winston and Laura Cohen recently completed work on a documentary film called “What’s the Matter with Kansas,” a sequel of sorts to Thomas Frank’s bestselling book of the same name. I photographed the couple (they’re married) at my studio, and planned to interview both of them here as well. Due to logistics involving their one-year-old son Milo, I ended up interviewing Joe in person, and Laura via email.
Jim Newberry: Tell me a little about your backgrounds in filmmaking.
Laura Cohen: I have been working in film and television for over ten years. Recently, I wrapped up production on the TV series “American Greed” for CNBC and “9/11’s Deadly Dust” on A&E for Kurtis Productions. In 2005, I finished research for the PBS documentary “The Power of Choice: The Life and Ideas of Milton Friedman.”
Joe Winston: Sure, let’s see…I didn’t go to film school or anything like that but when I got out of college my first interesting project was a public access show called “This Week In Joe’s Basement” which lasted four years and sixty episodes on Chicago Public Access…it was a great forum to do all sorts of things…But the strongest material that came out of it was usually the documentary material…We did a show called Sledgehammer Diplomacy where we asked black people, what do you think of white people, and white people, what do you think of black people, and got answers that hold up 18 years later, they could have been shot yesterday. Which is kind of a sad commentary on the state of the world…But we got really interesting very truthful answers from total strangers. Every now and then there was gold to be mined that way. After I got done with the cable access series I wanted to do longer more substantial projects…I did a could of movies in the mid-90s on the Burning Man Festival…
JN: How did this project come about?
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